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Hello Jyoti Kapoor!

Aparajita Krishna takes a tour with Jyoti Kapoor, the young film-writer (story, screenplay, dialogue) who carries in her petit...

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My world view: Deepika Deshpande-Amin

It’s a fascinating journey to go down a long winding road with a friend - when the conversation is nothin...

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Signs of the times: Unanswered Questions

I’m not being a pessimist but a realist in stating aloud that these last eight months have been suffocati...

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Arun Fulara’s My Mother’s Girlfriend bags KASHISH QDrishti Film Grant 2020

Anjum Rajabali, Arunaraje Patil, Onir, Neeraj and Sridhar Rangayan selected the winner at an online pitching se...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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The Stage and the Stree

Theatre has been one of the longest-practiced forms of art in India- from age-old bards, to soliloquizing protagonists, to dance-dramas, it has always been a crucial part o...

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Hillary Clinton To Sunny Leone: 13 Women We Looked Up To In 2016

As another year comes swiftly to an end, it's time to celebrate the women who inspired us. From Hillary Clinton becoming the first female US presidential nominee to the spo...

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Discrimination Runs Deep In India: It's Time To Accept It

It was accepting that enslaving another human being is callous that led to the abolishment of the Atlantic slave trade. But it took nearly four centuries to get there. It w...

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